One could speak of an encounter between beauty and horror, or of how the fantastic has married the dreadful in the artworks of Eva Beresin. Moving through the painterly and graphic worlds of this Hungarian artist, who has lived and worked in Vienna since 1976, one comes across hybrid creatures, grotesque figures, and curiously fantastical beings. The artist’s broad thematic palette, rife with bizarre whimsy as well as the tragic and existential, ranges from medieval-style cruelties to everyday banalities and even humorous episodes.

Beresin challenges the idea of the one-dimensional human being in defiance of any totality. She frequently endows her subjects with animalistic behaviors, while the numerous bona fide animals populating Beresin’s paintings exhibit human traits. There unfolds an artistic universe of sly humor and shenanigans that celebrate just clearly it has gone off the rails. Moments of nonsense coalesce in a veritable apotheosis of the marginalized. Her distortion of ordinary perspectives, true perspectival breaks, and reversals of circumstances suggest carnivalesque situations or recall escapades of mannerist exaggeration. Nothing is unworthy of being depicted. To Beresin, there are no wrong gestures, is no wrong painting, and the speed of her working process along with the eloquent force of her artistic expression underline the autonomy of the painterly act.